The Media and Violent Crime :: Media Argumentative Persuasive Argument

The Media and Violent Crime      An issue that many corporate executives trend is the possibility thataggressive people seek support for their throw soul-destroying acts.  Television violence, for instance, and the widespread public concern accompanying it have direct to calls for strict controls on the depiction of violent programs.      In their decision making, approximately producers do not earn right for theequally important minority.  Instead, they may gear their content toward themasses, who crave sexually explicit and violent action.  Fortunately, this free radicalhas the ability to disseminate violent action rationally, realizing that inreality, people who blame acts of violence have to compensate for their actionsby taking full responsibility for the harm they cause others.      not everyone can distinguish fact from fantasy.  Not nevertheless is it theirrational people who commit the cr imes in our country, but our own children whomay errantly be learning from day one that nothing hurtful will happen to them ifthey shoot their brother in the head with Daddys pistol.      Studies appearing that in one week of content analysis of prime-time output ons take down New York City channels, there were 3,421 acts and threats of violenceobserved.  Childrens fictional cheer programs had three times thefrequency of violent acts or threats recorded in adult programs.   (Gunter,p.13).  many of these acts were committed without any compensation for theaction without responsibility, therefore it must be acceptable behavior.  Similarly,aggressive adults ar seeking reinforcement for their own anti-social behaviorfrom seeing attractive television receiver characters behave in the same way.      Behavioral evidence has indicated that the anti-social tacks of violenttelevision portrayals are strongest and are most likel y to occur amongindividuals who are already aggressive.  (Palmer, p. 10).      The ethical question is, should television submit to mass appeal or takeinto consideration the affects on certain members of society, includingchildren?  The consequences of televising violence are not only harmful to someviewers but concurrently affect the television stations in the form of loss ofviewers and possibly gaining a bad reputation.  There are many sources,including viewers associations and popular journalism, which have been condemning the depiction of violence in television programs as a potentiallydangerous and anti-social act on the part of those who make and transmitprograms.  (Gunter p. 2).  Still, even though these associations have beencondemning television violence, their efforts have had little effect on thelarge money-making corporations.  Therefore, the decision, on the part of thosein charge of the programs, should be one of social resp onsibility.      In his article, Sex and Violence, Joe Saltzman states, If, as producers

The Lottery Essay -- essays research papers

When you hear the word of honor lottery, you probably return of winning a large sum of money before being stoned to death. " The lottery" by Shirley capital of Mississippi brings this dreadful idea to life. While the over constantlyy mood of the story depicts a typical day in a small rural town, through majuscule use of imagery and irony, one is set up for an unusual ending. Shirley Jackson uses the element of surprise. The way of the story ends is unlike anyone could predict.      The main object of The Lottery is the action of the lottery itself and perhaps the slips of paper. The actions that make the story are all connected to the preparation for, drawing of, and consequences of the lottery. Mr. Summers treats the lottery with cold precision as if this duty was as normal as all the other duties he performs for the town. The Townspeople respect the lottery and actually appear to fear it ever so slightly. Mrs. Hutchinson when faced with the possi bility of winning the drawing panics and tries everything she can think of to decrease her chance of winning or avoiding it altogether. Mrs. Hutchinson is the main female fictitious character of the story and is probably the strongest example of a weak, powerless, scared woman in all the stories we reviewed. She is the last to show for the drawing, she disputes the results of both drawings once completed, and she makes every drive to lower her chance of winning by drawing her married daughters into her families drawing. Mrs. Hutchinson sho...

Make Way Movie Brats Essay

In the late 1960s to late 1970s, as the veteran directors retired, a new generation gradually in additionk their place. Associated with New Hollywood, these youthful and diverse directors, frequently in their late twenties and early thirties, were considered word picture brats. These new directors Some of the more than famous were Francis Ford Coppola, Stephen Spielberg, and George Lucas all of whom had an earnest aw beness of consider history, naturali regardd with quotations and remakes, and created uttermost(prenominal)ly successful impressions. With an influx of new directors, it seemed qualified that they would take over the industry entirely. simply, director Robert Alt patch, born nearly cardinal old shape up earlier and cosmos significantly h unityst-to-god than his flick brats successors, Altman re principal(prenominal)ed infixed to the industry. Post mid-1970s, it was little commonplace for efforts to be put toward maintaining Hollywood artistic produ ction cinema. The new directors were focusing on box- slayice revenue and the production of both(prenominal) action-oriented and youth-oriented, smash hit depictions with radiant special effects. Two ikons that demonstrated such qualities were Steven Spielbergs Jaws and George Lucass Star Wars. Altman persisted for efforts to be continued.He, as well as other older directors like Paul Mazusky and Woody Allen, ventured into the American art cinema. Altman had to work at a rapid measure during the 1970s as he accomplished more than a dozen take a counselings. He besides had to compete with the younger generation of Hollywood that was producing huge blockbuster hits. Though kinda than unrivalledrous to create an action flick, Altman stayed true to his roots and produced pictorial matters primarily based on the voices emotions rather than plot. Two specific mental pictures in which Altman punctuate shifts from objective domain and subjectivity of the character atomic number 18 Images and 3 Women.In 1970, Altman directed M*A*S*H* a film applaused for its uses of humor with a spendic as heavy as the Korean War and for becoming one of the highest grossing films of the year. However, Altmans films did non always fold up to do exceedingly well at the box- dourice. McCabe and Mrs. Miller and The Long goodbye created a few years later were largely well true and proved to be moderate earners. His films That Cold Day in the Park, Brewster McCloud, and Thieves deal Us unmingledly all became box-office disappointments, even though the trey generally received good reviews from critics.Although Altmans flicks are non always top box-office earners, they are equable habitually the subject of a lot of sarcastic guardianship. Such is explicit with his film Images where the movie didnt garner a lot of praise for Altman, even though the film might s likewisel been considered a peak for other directors. It was let god amongst the films McCabe and The Long and as mentioned previously, they were sensibly successful. They received more ac shout and attention resulting in less sagacity of Images upon its release on-screen and its availability in todays time.For this reason, the film can be compared to Francis Coppolas The Conversation. Although a great movie, it was barely considered to be a minor significance to Coppolas career coming between the crowd revelrs and box-office smash hits The Godfather and The Godfather 2. Images was shot in the wet autumn months of 1971 in Ireland. It premiered at the Cannes Film Festival the following May. It was there that Susannah York win the face for lift out actress. York credited her subprogram as Cathryn in the film as the role she is roughly proud of.Although taking home an award, Cannes interviews were primarily confused. Images isnt the type of film an audience would feel sympathetic towards. Its slightly complicated to follow and have sexs off as cold. However, its non as nearly as weighed down to comprehend as the first reviewers of the movie suggested. As film critic Roger Ebert states, The film is a technical success tho not quite an emotional one. Because Altman was a hot ticket token in 1971 with M*A*S*H* Columbia Pictures took the dissemination rights of the film and entered it in the New York Film Festival.Unfortunately for Images, neither Vincent Canby nor Roger Greenspan (two governing film critics for the New York Times) took up the movie to review. It was then go away to Howard Thomson, a journalist and film critic for the New York Times nicknamed mishmash for make-up brief reviews for films. Thomson made no exception for Images, leaving it only with an imperceptive review. The film neer went on to have a traditional commercial release in America. Essentially the film is near a nestlingrens cause and housewife Cathryn (Susannah York) who receives several phone calls on a gloomy dark in her London home.The voice on the other e nd is a fe potent stating that Cathryns husband Hugh (Rene Auberjonois) is having an affair with another charr. Hugh comes home comprehend his wife in grief and tries to comfort her. He vanishes and another man is shown acting as if he was her husband. Frightened at the sight, she screams and backs way, later comprehend the figure change back into the image of her husband. Hugh feels that her angst is a result of separate out and her budding pregnancy. He takes her to vacation at an isolated cottage in an attempt to salve close to stress. As she stays there, Cathryn dives farther into guess delusions as the stranger reappears.It becomes problematical for her to distinguish what is happening in reality and whats just going on her head. Images shows a lot of subjectivity through its characters because of the extreme personas of the characters and the situations they are placed in. Cathryn begins hearing sounds and hallucinates constantly. She feels guilt sexually aft(prenomin al) envisioning encounters with two men that are not her husband. angiotensin-converting enzyme is a sinister Frenchman who asked to be shot by Cathryn to exorcise his ghost. aft(prenominal) he unembellishedly falls dead, it is shown that her husbands expensive tv camera is all that was really shot.The other man is more realistic, portraying a neighbor whos infatuated with her and believes Cathryn has rape fantasies and needs strong care. She bares an draw poker to him hardly also feels guilt. She ultimately stabs the neighbor with a kitchen knife eventually killing him. The husband Hugh is relatively the only normal character of the film. He never completely comprehends the extent of his wifes mental horror. real having his wifes best interests in mind and acting as an ideal husband, Hugh thought relocating her to a more isolated place would relieve her of woes.Hes a typical simple American who is devoted to dumb jokes. What Cathryn actually feels about him is only pointed at towards the last 20 minutes of the film where she tries killing off a ghost she wrong sees as her other self. Altmans introduction of his characters and plot comes off as him trying his hand at feminist tax. For one thing, theres barely any scenes that dont revolve around the main protagonist Cathryn. Her character isnt compelling which somewhat dooms the film from the beginning. The priapic characters come across as jerks.Altmans goal seemed to make a point about the way movies objectify women, turning them into the images, the films title indicates, for the consumption of male viewers. After all, Cathryn is only a miniature more than something for the men in the film to enjoy. Cameras figure plainly in the films mise-en-scene. Her pointing and shooting a gun (a symbol of male power) is yet another example of Altmans use of gender associations. Although Altmans point is clear, it seems like he went about delivering the message in a cliched way. In terms of objective reality, e genuinely image revealed rovides a lot of suspense and anticipation of what effect Altman will provide next.However it is somewhat difficult to find the reality as it is one of Altmans most abstract films. It is full of so much symbolism and images that it reflects the work of Bergman and Kubrik. These images consist of shimmering water and tinkling ornaments. They are astonishing beautiful images garnish often by shocks of Cathryns sensibilities. One daunting scene that does not occur in her head is when she is writing her story and watching ponies, but a dog and frantic sounds break the peacefulness.Altman wrote the film entirely, but the childrens story that accompanies some of the images was composed by Ms. York. This blends art and actuality. The film also has a investigateful use of color that separates the protagonist Cheryl from her ambience in a particularly unique and incomparable way. A few things that this movie can be credited for is its complete originality and uni queness. Images is a very eccentric Altman film. For a filmmaker who characteristically produces works with large ensembles and layered dialogue, Images feels more blunt and almost claustrophobic.One thing that makes it so different is that the opthalmic style is more lyrical at some points while skinny at the others. Another difference is that the dialog does not overlap. In criminate of photography was Vilmos Zsigmond, one of the best cinematographers of the seventies and Altmans favorite cinematographer at the time of production. He does an amazing job with his photography by remaining with the womans point of view while never suggesting at what is really going on. Altman added a clever touch to swap the characters names with the actors that portray them.Susannah is play by actress Cathryn Harrison and Cathryn is contend by actress Susannah York. Another switch of names is shown in the characters of common chord actors Hugh played by Rene Auberjonois, Rene played by Marcel Bozzuffi, and Marcel is played by Hugh Millai. Altmans demand of the audiences senses is both nontraditional and expert. The scattered style applied to the movie will definitely not please all senses to each audience member. However its witty helping hand, brave aim at a twisted inner world, and the eerie atmosphere the film creates is enough to keep ones attention for the films entirety.If thats not enough, there is always the pleasure of watching characters played by phenomenal actors Altman is so famous for providing. American film critic and film/ animation historian Leonard Maltin described the film best in stating the film was difficult but fascinating and that it comes off as off-putting at first, but worth the effort to hang on. It is a definite must see for Altman admirers who want to see him in a new style. Altman doesnt engross about the defenses needed for his film, but rather simply creates a eldritch and poetic vision letting logic and caution fall in the depths of the films beauty.Whether or not Altman produced a commercial success, didnt change the pace at which he put forth films. Five years after Images was produced, Altman came out with the film 3 Women. The idea for the film came to Altman in a dream. It was because of Allens success with filmmaking 20th Century Fox approved the movie before he had a definite script. Although it was original intention to film without a script, he eventually had one made before filming. This script was more like a blueprint, which he regularly did with previous films.The film centers around two women whose characters are in keen contrast with one another among their first encounters. The third woman the title hints at is a minor character but has a key supporting role, although not first recognised to the audience but gradually can be understood. Essentially the movie tells a story of three women whose characters change and merge, until finally, in the perplexing ending scene, switch roles. 3 Women, al though praised for its uniqueness, was not very prevalent at the time. American audiences may not have even recognized its release at the time. Why you might wonder?A teeny movie directed by George Lucas bearing the name Star Wars was released in the same year. The three women the title hints at are Shelley Duvall, Sissy Spacek, and Janice radiation pattern who live in the same apartment complex in the forego of California. Duvall plays Mildred Millie Lammoreaux, who works as a physical therapist at a senior care center. She comes off as very confident about her charm and her appeal to men, even though the men she goes after uncivilly mock her. pinkie Rose, played by Spacek, is a young, naive, and childlike woman from Texas who too lets a job at the senior center.With Millies roommate moving out, she is forced to find a new roommate, after evaluate the conditions, pinkie becomes that new roommate. Rule plays the supporting yet vital role of Willie Hart, the pregnant wife of the landlord of the apartment complex. She gives off an incredibly sad nimbus cloud as she moves with a gloomy silence, keeping isolated from other mess. Willie is a muralist who makes visually appealing yet moderately unsettling murals one in which is multicoloured at the bottom of the apartment family depicting godlike creatures, unlogical men, and women who annoy each other.The opening move scene of the film reflects roles of each of the three women that women in general often play. Willie, the pregnant wife, fiddles a mother. From the mural she is motion picture in the pool, one can determine that she seems very sad. Millie reflects a adolescent in that she is often very interested in the opposite sex. She is an comical character in that she obsessively gives recipes to others and tells them how she organizes them by the allotted time, even though no one seems to care. Pinky, when first introduced at the clinic, comes off instantly as immature and naive just like an av erage child.During lunch, she blows bubbles through a straw into her drink and later plays around in a wheelc pig, belie as if she was a patient. Along with making faces at the workers, she says to Millie, Youre the most perfect person Ive ever met, resembling a young child admiring their cooler older sister. As with Images, this film is also extremely intrinsic in terms of the characters. Each character has an excessive emphasis on their moods, attitudes, and opinions. Theres no subtly in any of the way the characters act.Millie, as explained in the previous paragraph, is portrayed as an annoying relay transmitter who talks excessively. Weve all experient or know individual who has experienced a friend like this before, but someone having a temperament as dramatic as Millie is just unusual. The audience chop-chop understands how epic she is to find a man. Tom, a neighbor who works the grill during poolside dinners, is someone Millie fancies a lot but cant get attention fro m. She even tells Pinky that he has asked her out on dates but shes always been too busy to accept clearly an act of despondency over someone she cares fantasizes about so deeply.During her lunch break she consume and sits with the doctors, consisting of only men, rather than her co-workers even though its more expensive. Her efforts are useless in that they still dont really make love her. Her last hangout spot to socialize with men is a local anesthetic bar/ re mental institution area, owned by Edgar and bartended by his wife Willie. The boys too preoccupied with shooting at a gun range and travel bikes outback, provides yet another obstacle for Millie to find someone. Pinky too reflects the extreme of a personality behaving as some would call childlike.She is a recede woman trying to begin a new life in California, refusing to go into specifics of her past life. The way she looks up to Millie after knowing her for less than a day is extremely odd. Most people emulate people, oddly when they are the new one in town as Pinky was, when they are touristy or are known for doing something good. They think by acting similar to that person, they will share that same sense of praise and popularity. Whats strange about Pinkys situation is that Millie isnt your ideal role model and is the complete opposite of a popular girl.Millie is more of the nerd thats oblivious to what other people sincerely yours think about her. It brings to the question, why would anyone want to duplicate Millie? as well, what made Pinky not want to keep her past life hidden? Altman was very creative in creating Willies character. Although Willie doesnt have many lines in the film, shown mostly with her paintings instead of with people, her supporting role is necessary for the flow of the movie. With a macho husband possessing such an extravagant personality, it wouldnt be hard to miss her character entirely.Although withdrawn from social interaction, it is made evident that she is st ill caring. After Pinky attempted to commit suicide by move into the apartment pool, Willie didnt hesitate to jump in and save her. Also in the final scene, even though Willie and Pinky were both messing around with her husband, she still decided to take them in and let them work at the bar with her after the accidental death of her husband. The three women make a complete 360 from polar opposites, into a family.The objective reality of the film is evident through its use of the visual representation found in the mirrors and the water. Mirrors and reflections represent the way Millie views herself. Through the mirrors, we begin to understand Millies obsession with sounding good, something she is proud of accomplishing. Millie is always beautifying herself by making small changes to her clothes, touching her hair constantly to make sure her curls are intact, and perfecting her makeup. She looks at her reflection, apparently affectionate what she says looking back at her, even thou gh no one can figuratively see her.The mirror and the reflections represent Millies invisibleness to other people in that when you look in the mirror, you are the only one to take notice of whats reflecting back. Water is also extremely prevalent in the films entirety. Each of the three effeminate protagonists of the film is associated with water in one way or another. The opening shot of pregnant Willie painting a mural and water being immersed as a backdrop is said by Altman to represent the amnionic fluid surrounding a fetus, (Ebert).The seceding scene shows Millie and her coworkers helping old people slowly descend into a pool- going to the water as their lives initially started. The wavy line shown on the screen is thought to represent an umbilical cord connecting the person to its life line. Also located in the pool is the crucial turning point in which Pinky jumps into the pool from the balcony, to be later saved by Willie. The movie does feature men but they are of far l ess significance to the main protagonists. Edgar, played by Robert Fortier, is the husband of Willie.What someone might call a manly man, Edgar showcases himself with motorcycles, beer, and guns. He is very much a drunk who tries to portray himself as a benevolent western gunslinger and fails to acknowledge his wife properly. The other men, often seen lounging around the apartments pool, are objects of Millies captivation. She always comes off in preparation for dates or dinner plans with these gentleman, even though they never actually happen and they fail to notice her. It is understood fairly quickly that Millie is a lonely soul.The men are used only to farther emphasize the personality of the female characters they come in contact with. It is lucid that this film was primarily focused on the significance of the character rather than creating an high-suspense adventure like Stephen Spielberg did with his film Jaws created a mere two years previously. Each actress perfectly resem bles their characters through their looks and acting capabilities. Rule depicts Willie with no apparent expression on the face and a sad look in her eyes. Spaceks light hair and eyes that stare in idolization fit a character named Pinky.Duvall especially contributed a lot to the creation of the film. She was accountable for creating the recipes, the diary entries, and a great deal of the dialogue her character Millie had. Her big brown round eyes resemble a deer in headlights as she is oblivious to the feelings others have towards her. Its no wonder why she took home the Cannes Film Festival and Los Angeles Film Critics Association Awards best actress award. Though the actors fit the characters well and portrayed each scene wonderfully, some things are left unanswered for the audience. Although Pinky is a main character, not a lot is understood about her past.Upon completion of the film, it is still left a mystery why she left Texas and whether or not she was actually from there. When Millie asked for specifics on what part of Texas she was from, Pinky accused her of giving her the third gunpoint and avoided the question. Also, when Pinky saw her parents in the hospital she claimed that she had never seen them before, screaming for them to get out. This was a very peculiar scene since the old couple claim to be Pinkys parents, but look far too old to actually be them. Whether they are frauds, grandparents, or her adoptive parents, is never actually presented.Another mystery Altman added to make the movie come off as a dream, where not everything makes sense and only certain flesh out are vivid. For its use of water coming in and out of scenes with the master(a) characters, even though water is not actually present, and the mysteries that leave the audience questioning scenes, 3 Women possesses a dream-like quality. The idea of the film, the story, the cast, and everything included, was said by Altman to come to him in a dream, so he precious to express it as such. The message and the overall point of the film are left open to interpretation for the audience.Altman himself says he is not conductly sure what the ending promoter but has a theory on what it signifies and what actually occurred. He wanted to create a film filled with emotion and allusion rather than step to the fore realities caught with the cameras allegedly objective eye, (Sterritt). Essentially this movie is not a narrative in any way but reflects the three stages of a womans life. The three women merge into a sensation person, who is mother, daughter, and granddaughter, isolated but serenely self-sufficient (Canby). The film is about age and youth and the overall quality of American life.Trying to decipher the exact meaning of the movie is pointless in that no one could be definite for sure. 3 Women is a film concentrated more on mystery, mood, and behavior than the use of plot devices. In both Images and 3 Women, it is evident that Altman avoided an attempt to m ake a flashy movie in hallow to compete at the same level as his younger comrades in the business. Images depicted a fairytale and 3 Women, a dream both very unconventional types of films. He was far too interested in the preservation of Hollywood art to care about garnering publicity.These were films that had emphasis on ambiguous between objective reality, and character subjectivity, decorated with abstract, enigmatic compositions. both were films in which Altman was involved both with the writing and directing process, enabling him to jutting on screen what he himself envisioned as the direction of the movie. Also, these films examined fury in its female characters. It is no coincidence that these specific films both won a best actress award at Cannes. Although Altmans movies dont always do extremely well at the box office, they are perpetually the subject of a lot of analytical attention.

The Silver Linings Playbook Chapter 9

If I BackslideKnowing that if I deport the wrong thing, veronica will say I be in possession of ruined her night the way she did that one time when I wore Bermuda shorts and sandals to a dress-up dinner I cant stop thinking about(predicate) what I am overtaking to wear to her dinner party, so much that I dont horizontal remember its Friday, and therefore, time to pull in Dr. Patel, until Mom calls round in the mediate of my workout, saying, Were leaving in fifteen minutes. Hit the showerIn the foul room, I pick the brown chair. We recline, and drop says, Your mother tells me youve had quite a week. Want to talk about it?So I tell him about Veronicas dress-up party and how my old dress clothes dont fit because I consider lost so much weight, and I have no swank clothes other than the shirt my chum has recently given me, and I am pretty stressed out about going to a dinner party and wish I could just spend few time alone with Ronnie lifting weights, so that I would not have to see Veronica, who even Nikki says is a mean person.Dr. Patel nods a few times akin he does, and then says, Do you like the new shirt your brother gave you? Do you life comfortable wearing it?I tell him I absolutely love my new shirt.So wear that one to the dress-up dinner, and Im certainly Veronica will like it too.Are you sure? I ask. Because Veronica is genuinely particular about what you should wear to dinner parties.Im sure, he says, which makes me feel a whole lot better.What about gasp?Whats wrong with the pants you have on now?I look down at the tan khakis my mom purchased for me at the Gap the other day because she says I shouldnt wear sweatpants to my doctors appointments, and even though the pants are not as swanky as my new Eagles jersey, they do look okay, so I shrug and stop worrying about what to wear to Veronicas dinner party.Cliff tries to get me to talk about Kenny G, but I only fold my eyes, hum a single note, and silently count to ten every(prenomin al) time he says Mr. Gs name.Then Cliff says he knows that I have been rough with my mother, shaking her in the kitchen and knocking her down in the attic, which makes me really sad because I love my mom so much and she pull through me from the bad place and has even signed all those legal documents and up to now I cannot rightly deny what Cliff has said. My chest heats up with ungodliness until I cant take it. Truth be told, I break down and cry sobbing for at least five minutes.Your mother is risking a lot, because she believes in you.His words make me cry even harder.You want to be a good person, dont you, Pat?I nod. I cry. I do want to be a good person. I really do.Im going to up your meds, Dr. Patel tells me. You power feel a little sluggish, but it should jock to curb your violent outbursts. You need to know its your actions that will make you a good person, not desire. And if you have any more episodes, I might have to recommend that you go back to the neural health i nstallation for more intensive treatments, which No. Please. Ill be good, I say quickly, sagacious that Nikki is less likely to return if I backslide into the bad place. commit me.I do, Dr. Patel replies with a smile.

In the arms of sleep

It happened again last night. Just equivalent before. It began tardily, with little things. Then it got worse. a great deal worse. I suppose this is your way of punishing me. If it is, its working. If its not when Im awake, its when Im asleep. Mad isnt it? Thats what just ab off people think anyway. Sometimes I think Im termination mad. Am I? No. I offert be. Its so real. I force out emotional state it. It is more than a nightmargon.Trapped. Trapped under the hideous black cover that chokes the throw out. Darkness complete. Shadows begin to move, writhing, with an eerie shrill sound of the sucking of the air. Unmoving, I lookout station. Without breathing. Without thinking. The wind pounds against my appear standardised a thundering waterfall. My breath illuminates the sky in a vivid cloud of white smoke. A drag on of ivy cradles gravestones like newborn babies. An ominous musical noteing of dread seeps through and through my bones.I am in a church railway yard. This is no ordinary churchyard. This is w present it happened. He was standing over there. I remember now. Right next to that cross. I shouldnt have done it should I? but I had no choice. in that location was no way out at the time.I scum bag liveliness him now. Watching me like a hawk. His hot breath creeping up my sleep with. Hark What was that? Did you hear it? There it is again. I turn my head slowly to locate the sound. Its coming from the church. The sound is distant and musical almost menacing. The pipe organ It plays on like an instrument of torture. I hold my breath. It stops. One . . . devil . . . three. There it is again. Calling me. Calling me so softly at premier(prenominal) so softly it could be the phone line rushing to my ears. I can hear the words. Katherine . . . Katherine. Come and find me. You love you want to.Im walking. Walking. My feet have a mind of their own. Uncontrollable. Eyes glued in front of me. I feel like a ventriloquists dummy. The church gate l ies in front of me, like the gateway to hell. My hand trembles violently as I jabbing the heavy iron handle forward. Then the door slams behind me with a metallic slice, like a falling guillotine. Silence. Nothing can be heard except the soft pit-pat of rain. The stillness is worse than noise.I know hes in here. I can feel his eyes ceremony me. stubble me. I can smell him. The smell of decay and dried blood wafts up my nose like rotten eggs. I feel sick. A thin hot trail of sweat runs down my temple. I enquire to get out of here. I need to get out of here now But where is the door? It was behind me.That noise. There it is again. That faint tune. incorrupt black terror is sweeping though me, e very hair on my body erected. It is dark. So dark. Too dark. My entire body goes cold with terror. Something is watching me. Something is hunched over the organ. Something is there. No. It cant be. Can it?Just one yard away from me. On my feet, skin crawling and body washed with adrenaline . He plays on. Back turned, but I know he is aware of my presence. My neck prickles as I edge away. The music stops. I walk backwards. Away. difference nowhere. My eyes afraid too open painfully wide, then constringe struggling to focus. My eyes close in the terrifying reality of it, lips mouthing frenetic prayers, teeth clenched. I dare not compute upon his face. I can smell his breath making me feel nauseated. Heart banging like a drum. I cant stand much more of this. Ive got to get out of here. I must open my eyes. I must go.He breathes hard, and a raging movement disturbs his limbs. His yellow skin has sunk into his body, showing the crevices of his bones. His hair, of a lustrous black, reminds me of a beetle. These features only form a more ill-scented contrast of his eyes. They glow in their own light, like fire fox. They are cold, ravenous. So different. Every shred of decency, kindness, forgiveness and passion, is gone. Replaced by the unmistakable look of a predator. His jaw opens, saliva dripping down his chin. He breaks into a fiendish grin. He cackles loudly, echoing across the hollow room. Stop engage him stop. Make it go away. Make him disappear. I never couldve imagined . . .never dreamed of such(prenominal) a foul creature. The devil of devils. Ive never looked him directly in the face before. His gaze is hypnotic, mesmerizing. He lifts his arm up, his long knifelike fingers pointing towards the ceiling clenches his fists, so tight a trail of blood slowly trickles down, like a falling raindrop. He thrusts his arm down in anger create a sickening crack as it hits the organ. I shudder violently. He wants to punish me. Hes going to do it properly.Whimpering, I move away. I cant watch this wretch lead me to my merciless death. Id rather die with my dignity left over(p) alone. A scorched, rotting smell fills my lungs. I cant breathe. Gagged. I am going to die. No I will run. I will save myself. I cant. He is too strong. He throws back his demon head, and lets out a howl of laughter. I look away. Trying not to look upon his face. I can feel fear ripping opening my chest. Can he not see that I have suffered enough? Can he not see I am sorry?I can feel a surge of dizziness rush through me as my eyes rush in and out of focus. I stand still, very straight, as if paralysed. He rests his cold, lifeless hands on my cheek. My heart contracts with unhappiness and pain. My knees buckle. I grab the organ to stop me from falling. This is not happening, Im thinking.why? Why are you doing this? Have you no heart? No soul?You did . . . once. But now it is long gone. Buried forever. Now leaning over, to kiss me pass lips purple and cracked, flesh peeling off his face like the petals of a rose. His eyes glittering. A gust of wind whips my hair, stinging some sapidity back into my cheeks some coherence back into my brain. He puts his hands obese my neck. Gasping for breath. I feel like a stuffed animal. Like a fly about to pop. He is angry. He is not going to let go. entertain . . .God noI wake up. Neck throbbing with pain. Sucking in every ounce of air. Relieved. The wind wails as it bangs against the cold glass window. A faint knocking on the door, a gentle rattle of the knob. My door creaks. I stare into oblivion as my life flashes before me. I can feel him. Watching me. Trapped.